Jess Atieno headshot

Jess Atieno

Mixed Media Artist
2025 3Arts Awards
Visual Arts

Jess Atieno’s (she/her) practice engages African modernisms and visual culture through a postcolonial lens, critically examining the enduring imprint of colonial photographic practices on representations of place, home, and identity. Her research interrogates historic images, attending to their spectral presence and the ways they mediate memory, belonging, and dispossession. Guided by artistic gestures that center decolonized interpretations of history, Atieno makes time travels through history’s material remains such as photographs, maps, and documents, incorporating them into the making of large screen prints and intricate woven tapestries. These acts of remediation do not merely reproduce these images but reanimate them, unsettling their fixity and opening them to new possibilities of meaning. Atieno employs collage, fragmentation, and material manipulation as strategies to destabilize the photographic field, positioning her work sites of intervention. By engaging the screen print halftone and weaving binary code as visual registers, she constructs nuanced poetic narratives that resist the totalizing gaze of colonial photography. This process unfolds through a haptic collaboration between her body, the silk screen, and the loom— an embodied, multisensory negotiation that challenges the colonial logics of visibility and representation, ultimately proposing alternative ways of seeing and knowing. 

Atieno holds an MFA from the School of the Art Institute of Chicago and is an alum of Asiko Art School. Her work has been shown in Kenya and internationally, most notably at Bamako Biennial (2022), Lagos Biennial (2019), Savvy Contemporary in Berlin (2023), The Armory Show in New York (2023) and in Femmes, a group exhibition curated by Pharrell Williams at Perrotin in Paris (2025). She has also been awarded grants and residencies including a grant from the Abakanowikz Arts and Culture Charitable Foundation and the first recipient of the Bisi Silva grant. She has been a resident at various art centers including the Hyde Park Art Center's Jackman Goldwasser Residency and at Arts and Public Life (2023). Her work has been collected at prestigious collections such as the Rockefeller Foundation, Alfred Taubman Foundation, Africana Art Foundation, KADIST Collection, and the Red Hill Art Gallery Collection. Atieno is also the founder of Nairobi Print Project, a platform dedicated to scholarly research and conversation on contemporary art and curatorial practice in Africa and the Black diaspora.

Featured Artworks

  •  An installation shot of a show in a white wall gallery. Four paintings hang and one print is on a pedestal on the floor in the center. Solo Exhibition View- Of Ghostly Silences and Constant Yearnings, 2022 Cecile Fakhoury Gallery. Abijan, Ivory Coast Image by Cecile Fakhoury Gallery
  •  An installation shot in a white wall gallery. Five paintings hang on the far wall. In the foreground there is a text piece displayed on the gallery floor. Solo Exhibition View- Of Ghostly Silences and Constant Yearnings, 2022 Cecile Fakhoury Gallery. Abijan, Ivory Coast Image by Cecile Fakhoury Gallery
  •  Installation shot of a print in a white all gallery. A figure is walking by in front of the print. Solo Exhibition View- Odyssey, 2023 Cecile Fakhoury Gallery. Dakar, Senegal
  •  Jess Atieno artwork Look, See, I Have Clothed Myself in Your Love, 2023 Image by Cecile Fakhoury Gallery
  •  A close up on a print of a Black child printed in black and white. In pencil there is faint writing on the print. Detail - Songs of Jerusalem, 2022 Image by Mark Ayabei
  •  Jess Atieno artwork Detail - In the Time of Kings and Queens, 2022 Image by Mark Ayabei
  •  Two gold hands hold out a floral patterned fabric on a dark background. Handle with care, 2023
  •  A photograph of a textile hung on a white wall. The textile is black with purple feathered detailing surrounding the edge. In the center a Black woman is woven three times with the name CHEMA CHAJIUZA KOBAYA CHAJITEMBEZA. Black Madonna
  •  A photo of a textile hung on a white gallery wall. The textile is tinted green and depicts a large group of Black people standing and looking out. In the center is a portion of the map of Africa. Take me to your River, 2022